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Slideshow

Yuliia Kabina & the Georgia Museum Symposium on Ukrainian Art

by Jessica DeMarco-Jacobson

Stanislav Antoniuk, "Peonies"
Stanislav Antoniuk, "Peonies" 

Yuliia Kabina left her home country of Ukraine and first came to UGA as a Fulbright Research Grantee for the 2021-2022 academic year. While completing her Fulbright, she was introduced to Black Studies and became especially interested in autobiography and writers’ identities. She returned to UGA to pursue her PhD in our Engish department, and has remained here ever since. While continuing her education, Yuliia became interested in cultural and linguistic aspects of colonization and decolonization. But she also loves everything about the 20th-21st centuries--its art, theater, films, music, and how they interact with literature. And that is what led her to play a key role in the Georgia Museum’s Symposium on Ukrainian Art. 

Sponsored by the Willson Center for Humanities and Arts and co-hosted by the Georgia Museum and Lamar Dodd School of art, the Symposium on Ukrainian Art contains three main exhibitions: 

Asen Kirin is the curator for “The Awe of Ordinary Labors” exhibition, and he selected the paintings acquired by GMOA. According to Yuliia, most of the paintings belong to social realism and exhibit national characteristics of Ukrainian art, while still showing the influences of European art. 

Yuliia’s main responsibility was to create a catalogue for the exhibition. Her work involved finding biographical information on the artists, translating, and constructing short narratives about them.

Yuliia Kabina
Yuliia Kabina at the Georgia Museum of Art

“Most of them [the painters] have bios in encyclopedias on Soviet Ukrainian/Ukrainian artists, but the barebone facts do not really give any idea about them as humans and are simply a boring read,” said Yuliia. “That’s why…[I had to] fill in the gaps of "was born—studied—worked—died" with more specific information that helps humanize them.”

For example, it was most likely the first time one of the female artists was exhibited. The only info that Yuliia could find about her was in her famous husband's memoirs. Yuliia ended up constructing the artist’s biography out of her husband’s memories.

In addition to the curator using some of Yuliia’s biographies in a course he taught during the fall semester, they will also be printed in a catalogue in 2026. Yuliia skillfully balanced researching, writing, editing, to uncover the lives of these artists for an Anglophone audience. Through her hard work, Yuliia ensured that the lives of these Ukrainian artists were (re)told, depicting them in the full-fledged manner they deserve.

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