The Georgia Colloquium in Eighteenth- and Nineteenth-Century British Literature events

"The Scarcities of Udolpho," Dr. Scott MacKenzie (Associate Professor, University of British Columbia)

In a 1780 parliamentary speech, “On Economical Reform,” Edmund Burke asserts that the British royal household “has lost all that was stately and venerable in the antique manners, without retrenching anything of the cumbrous charge of a Gothic establishment” and is populated by “grim spectres of departed tyrants—the Saxon, the Norman, and the Dane; the stern Edwards and fierce Henries—who stalk from desolation to desolation, through the dreary vacuity, and melancholy succession of chill and comfortless chambers.” The proposed reforms that Burke introduced with that speech included effo

"The Future and Its Discontents: Eco-Time in Three Victorian Texts," Dr. Deanna Kreisel (Associate Professor, University of British Columbia)

The question of how (or why, or whether) to commingle queer theory and ecocriticism has become an urgent concern for many theorists writing in the wake of Timothy Morton’s 2010 PMLA essay “Queer Ecology.” While Greg Garrard, for example, thinks that queer theory needs ecocriticism in order to avoid theoretical bankruptcy and irrelevance, Jordy Rosenberg argues exactly the opposite, warning that certain versions of eco-theory are guilty of promulgating “a primitivist fantasy that hinges on the violent erasure of the social: the conjuring of a realm—an ‘ancestral realm’—that exists i

"The Cruel Optimism of the Digital Panorama: Atlantic Humanism and its Pacific Other," Dr. Robert Batchelor (Professor of History, Georgia Southern)

A number of contemporary digital media works, such as Lisa Reihana’s installation “In Pursuit of Venus [infected]/Emissaries” (2015-2017) and Tracy Fullerton’s video game “Walden” (2017), have returned to panoramic strategies of representation to reimagine totalizing and seemingly transcendent concepts like empire and nature. Reihana’s and Fullerton’s approaches are partially archival, drawing directly on printed works produced during the late eighteenth and nineteenth centuries and highlighting the uncertain line between virtual worlds and augmented archives.

"The Making of Jane Austen," Devoney Looser, Professor of English, Arizona State University

Professor Looser (Professor of English, Arizona State University) has authored or edited numerous books on women's writing, including Women Writers and Old Age in Great Britain, 1750-1850 (Johns Hopkins University Press, 2008), British Women Writers and the Writing of History, 1670-1820 (Johns Hopkins University Press, 2005), and Jane Austen and the Discourses of Feminism (Palgrave, 1995). 

James Chandler, "The Opium Connection: De Quincey, Dickens, and D.W. Griffith"

Please join us for a Joint Seminar of the Georgia Colloquium in Eighteenth & Nineteenth-Century British Literature and The Interdisciplinary Modernism/s Workshop, with James Chandler, Willson Center Distinguished Lecturer. We will pre-circulate Professor Chandler's paper; those interested in receiving access to the paper, please contact Alex Edwards at kingsley@uga.edu. 

Friday, March 17, 2016. 3:30pm-5:00pm. Russell Special Collections Building, Room 285

"Editing Richardson's The History of Sir Charles Grandison; or, A Good Man is Hard to Find"

Professor E. Derek Taylor (Longwood University), with Professor Elizabeth Kraft, will present a discussion of their experiences editing The History of Sir Charles Grandison for Cambridge University Press. This event will take place at the Special Collections Library, Room 277. It is supported by the English Department's Rodney Baine Lecture Fund and the Willson Center